Wednesday, September 24th, 2014 12:00 PM
Dance and Brass: Autumnal Offerings from the Region's Many Dance Companies and the Renowned Cleveland Orchestra
This past summer, Verb Ballets performed a series of duets in Tremont's Lincoln Park, filled with intricate choreography that likely enchanted even those with nary a recognized interest in the art. That's a noted trend among organizations highlighted here: bringing what might be perceived as niche artistic interests into the Northeast Ohio entertainment mainstream.
The rest of Verb Ballets' season includes several fall appearances (Twinsburg High School on Sept. 26, Green more › High School on Oct. 18) and leads to a robust winter that kicks off with a slot at the International Association of Blacks in Dance Showcase in January.
DanceCleveland starts its season Oct. 5 with the Aspen Santa Fe Ballet at Akron's EJ Thomas Hall. This is the sort of thing DanceCleveland does best: showcase top-notch companies from around the world. The Kibbutz Contemporary Dance Company arrives in early November.
Dancing Wheels, a local company that features some dancers with disabilities, will perform Oct. 15 at Trinity Cathedral. The event is part of Trinity's "Brownbag Lunch Series," which is open to the public.
On Oct. 20, the national tour of So You Think You Can Dance (#SYTYCD) rolls into Playhouse Square. The show's 11th season finalists will perform the season's most popular routines -- plus a few new and original numbers.
Case Western Reserve University's department of dance will showcase Horizons from Oct. 31 to Nov. 8. The show features noted works from Mark Morris and Pascal Rioult.
Likewise, the Cleveland Orchestra is looking toward a busy season at Severance Hall in the coming months.
Here's the one that longtime supporters and rookies alike should be able to get behind: Franz Welser-Most conducts Beethoven's Sixth Symphony ("Pastoral"), Oct. 4 and 5. The performances will be grouped with selections from Ravel.
Renowned pianist Lang Lang, who spends most of his time traveling the globe, will bring his takes on Chopin and Strauss to Cleveland Oct. 9 through 12.
Beginning in late November, the Cleveland Orchestra will take to Playhouse Square and join Chicago's Joffrey Ballet for the annual Nutcracker performances. For most children -- families in general, really -- these shows afford the most accessible entry point for orchestral music in Cleveland.
It's probably worth a reminder that the Cleveland Orchestra is an internationally lauded institution. And Cleveland gets a front-row seat to the music.
Friday, September 19th, 2014 12:00 PM
CLEVELAND, Ohio -- We aren't the only ones who see Cleveland as a dance destination. Artists around the state, nation and world see us that way, too, as evidenced by the International Association of Blacks in Dance Conference coming to Northeast Ohio in January and Cleveland's recent hosting of the OhioDance Fall Festival.
But the real proof of Cleveland's dance strengths lies in the paragraphs below, in these listings of what more › the region's many companies are up to this and next year.
Clearly, it's a great deal. DanceCleveland, for instance, the area's top presenter, has an eclectic season in store, including its first presentation of hip-hop dance; and Verb Ballets, a greenhouse of new and contemporary works, brings to life three variations of Martha Graham's iconic "Lamentation."
Much more in that vein, meanwhile, can be seen from Cleveland's GroundWorks Dance Theater, Inlet Dance Theatre and Dancing Wheels. And that's to say nothing of the region's top dance schools, including Case Western Reserve University, Oberlin College and Cleveland State University, or of Playhouse Square, the venue this year for two high-level ballet events: "The Ashley Bouder Project" and Joffrey Ballet's "The Nutcracker" with the Cleveland Orchestra.
Just don't be a bystander. When it comes to dance in Northeast Ohio, we of all people should be the best informed.
Case Western Reserve University Department of Dance: A two-weekend run of "Horizons," featuring works by Mark Morris and Pascal Rioult and new pieces by Gary Galbraith, Karen Potter and Shannon Sterne, kicks off the year Oct. 31-Nov. 8. Students Hannah Barna and Amanda Clark present their MFA thesis concert titled "Illuminated" March 26-29. A group composed of students, faculty and members of the Cleveland dance community offer two rounds of the Mather Dance Collective (MaDaCol) Nov. 20-22 and April 16-18. Information at dance.case.edu, 216-368-5246.
DanceCleveland: An exceptionally eclectic year at Cleveland's premier dance presenter gets underway Oct. 5 with Aspen Santa Fe Ballet at E.J. Thomas Hall in Akron. A parade of internationally and stylistically diverse troupes follows, including Kibbutz Contemporary Dance Company (Nov. 8 and 9); Pilobolus (Jan. 31); Compagnie Kafig (March 7); and Wendy Whelan: Restless Creature (April 25). Information at dancecleveland.org, 216-991-9000.
Dancing Wheels: Busy year-round, Cleveland's unique company of dancers with and without disabilities next hits the public stage Oct. 15 with a noontime performance at Trinity Cathedral. The year also ends on a high note, with the world premiere of "Babes in Toyland" at the Breen Center for the Performing Arts (Dec. 4-6). Information at dancingwheels.org, 216-432-0306.
GroundWorks Dance Theater: Another enterprising year under David Shimotakahara commences Oct. 24 and 25 with performances in partnership with Cleveland State University at Playhouse Square. On the program: works by Ronen Koresh, Gina Gibney and Johannes Wieland. The fall season also includes a creative residency with choreographer Robert Moses. Information at groundworksdance.org, 216-751-0088.
Inlet Dance Theatre: Bill Wade's welcoming group of new and experienced dancers kicks into high gear Jan. 18 with a concert at the Church of the Saviour in Cleveland Heights. The company also will be featured at DanceWorks 2015 at Cleveland Public Theatre April 23-25 and present another free program next July at Cain Park. Information at inletdance.org.
MorrisonDance: Invigorated by a grant from the Rauschenberg Foundation, Sarah Morrison's modern-dance troupe concludes a monthlong series titled "The City is Our Playground" with a presentation of improvised choreography Sept. 21 at the Tremont Arts and Cultural Festival. Information at morrisondance.com, 216-281-9558.
Ohio Dance Theatre: Oberlin and Cleveland remain the two places to catch this vibrant professional company led by choreographer Denise Gula. Start out with "Ballet Uncorked" Oct. 24, Feb. 6 and April 24 in Oberlin, and continue with an appearance on DanceWorks 2015 April 9-11 at Cleveland Public Theatre. Information at ohiodancetheatre.org, 440-774-6077.
Playhouse Square: The national tour of "So You Think You Can Dance" launches the dance season Oct. 20. After that comes "The Ashley Bouder Project," a presentation by Ballet in Cleveland (Oct. 25); the Joffrey Ballet's "The Nutcracker" with the Cleveland Orchestra (Nov. 26-30); "Stomp" (Jan. 16-18); Shen Yun (Feb. 10 and 11); the Cleveland State University Spring Dance Concert (March 26-28); and "Three Acts, Two Dancers, One Radio Host" (May 2). Information at playhousesquare.org, 216-241-6000.
Verb Ballets: A high point in Verb's 2014-15 season comes up Feb. 20 and 21, when the contemporary dance company honors Martha Graham by hosting three variations on the choreographer's "Lamentation," on the occasion of the iconic work's 85th birthday. Also this season: The company appears on the International Association of Blacks in Dance Showcase in Cleveland Jan. 23-35; at Christ Episcopal Church in Shaker Heights (Jan. 30); and on DanceWorks 2015 at Cleveland Public Theatre (April 16-18). Information at verbabllets.org, 216-397-3757.
Zachary Lewis, The Plain Dealer
Friday, August 1st, 2014 12:00 PM
Aspen Santa Fe Ballet Comes to Akron October 5 To Open DANCECleveland's Season at The University of Akron's E.J. Thomas Hall One Matinee Performance Only at 3 p.m.
Aspen Santa Fe Ballet, a dynamic contemporary ballet company, will open DANCECleveland's new season at the University of Akron's E.J. Thomas Hall with one performance only – a matinee on Sunday October 5 at 3 p.m.
Co-presented with The University of Akron's Dance Program and E.J. Thomas Hall, Aspen Santa Fe Ballet is hailed for its bold vision, accomplished choreographers and virtuoso dancers. For 18 years, the company has served more › as a prestigious arts innovator and a showcase for choreographic invention.
In Akron, the company will perform a program of three recent ballets from its repertory. "Over Glow," created for the company by Jorman Elo in 2011 is set to music by Felix Mendelssohn and Ludwig van Beethoven. "Square None" from 2012 by choreographer Norbert De La Cruz III is danced to music by Alva Noto and Syuichi Sakamoto, Michelle Ross, George Frederic Handel and Aphex Twin. "Return to a Strange Land," an Aspen Santa Fe Ballet commissioned work by Norbert De La Cruz III which premiered in 2012, is set to music by Leos Janacek.
Tickets starting at only $20 are available at www.ticketmaster.com or by calling 330-972-7570. Visit www.dancecleveland.org for more information.
Since its founding in 1996, the company has advanced to the vanguard of its field, forging a strong national reputation for its open, contemporary dance style and tradition of commissioning new works from established and emerging choreographers. Today Aspen Santa Fe continues to challenge the boundaries of classical ballet by exploring the innovative possibilities of dance in the 21st century.
The company tours extensively, performing at the American Dance Festival, Jacob's Pillow Dance Festival, The Kennedy Center and the Joyce Theater, among others. Overseas tours include Brazil, Canada, France, Greece, Guatemala, Israel, Italy and Russia.
The Aspen Santa Fe Ballet performance in Akron will precede a week of educational programming by the company with students from The University of Akron's School of Dance and Dance Institute, as well as local community dance students. This programming continues to build on the momentum of DANCECleveland's seven-year relationship with the Akron community that helps build dance audiences and spur economic opportunities.
DANCECleveland, a Cleveland, Ohio based non-profit, is one of a handful of presenters nationally that is dedicated solely to the presentation of modern and contemporary dance. The centerpiece of the organization's programming is its annual performance series. The performances are surrounded by an array of educational outreach events including artist-run master classes, residency programs, student matinees, pre-performance lectures and post-performance Q&A sessions, designed both to break artistic boundaries and provide community access to the dance aesthetic and dance luminaries that DANCECleveland brings to Northeast Ohio.
For more information about Aspen Santa Fe Ballet, visit:
For more information about DANCECleveland's presenting partners for Aspen Santa Fe Ballet visit: www.uaevents.com and click on E. J. Thomas Hall.
ELECTRONIC PHOTOS AVAILABLE FROM PAM BARR AT 216-932-5060 or email@example.com
Generous support for Aspen Santa Fe Ballet provided by:
The Akron Community Foundation, The Margaret Morgan Foundation, Ohio Arts Council, Sterling Jewelers
The Mary S. and David C. Corbin Foundation, the Musson Foundation
Additional funding for DANCECleveland provided by:
The Cleveland Foundation, Cuyahoga Arts & Culture, The George Gund Foundation, The George W. Codrington Charitable Foundation, and John P. Murphy Foundation.
Wednesday, June 18th, 2014 12:00 PM
CLEVELAND, Ohio -- DanceCleveland wasn't always rock-solid. Amidst its success, that fact is easy to forget.
But the Cleveland Arts Prize hasn't forgotten. The Cleveland Arts Prize knows who made the group what it is today: executive director Pamela Young.
Hence its choice this year to confer on Young the Martha Joseph Prize, its award for visionary and strategic arts leadership.
"I thought I was behind the scenes," said more › Young, reacting to the award, her first substantial prize of any kind. "I'm not a dancer. I couldn't believe mine was a successful narrative."
Successful it most certainly is, however. So, too, do the words "visionary" and "strategic" apply to Young with keen force.
Simply put, if Young hadn't been named director in March 2003, there might not be a DanceCleveland to honor. Neither would the group, a presenter of world-class modern dance, be one of the region's bright lights on the verge of celebrating its 60th anniversary.
"We had a good plan, and they stayed with us," recalled Young, referring to her board of directors. "If that hadn't happened, we wouldn't be having this conversation."
As Young suggests, DanceCleveland very nearly went under. Just prior to her appointment, her predecessor had departed suddenly, and the board, of which she was a member, was taking steps to shut down the organization.
Young, though, wasn't ready to throw in the towel. Experienced in the realm of arts nonprofits, having already helped several other groups retreat from the edge of extinction, she saw possibility, and stepped forward.
"They didn't see a way out," said Young. "But I had been with organizations in crisis, and it didn't scare me. I said, 'Let me see if we can't make some kind of road map.' "
A road map is exactly what she made. Over the following several seasons, Young righted the ship by taking an eight-month break from presenting and shifting the group away from a hand-to-mouth funding pattern. For the first several months, she drew no salary.
Today, Young is rightly proud of her track record: 10 years in the black, with surpluses. Also under her watch, DanceCleveland has diversified its board, expanded its audience, created an "opportunity" fund and fortified itself for economic downturns. One day she hopes to establish an honest-to-goodness endowment.
"We've made some strong decisions," she said. "We've pushed ourselves in new directions and made ourselves more poised for the innovative things coming to Northeast Ohio."
Not all of Young's accomplishments have been administrative. No, the most visible aspect of her work has been extending a legacy of presenting great modern dance, carefully pegging companies and works to venues and times, always scanning for talent.
Artistically, too, Young has kept an eye on the future, as she has financially. On her to-do list these days is investing in new dance through the work of Camille A. Brown & Dancers, and working to make Northeast Ohio a national center for choreography.
"We're not in system where there's money for the creative side," said Young, noting that if Cleveland were to become a center for new dance, "It would put us in a pretty prominent place."
Not that it isn't in a prominent place already. Thanks to Young, Northeast Ohio is home to one of the oldest presenters of modern dance in the nation.
For nearly six decades, patrons have had only to attend DanceCleveland shows to encounter everything from the hottest up-and-comers to the biggest names in the field.
"We've had many great moments in the theater," said Young. "Sometimes it's really magical."
Zachary Lewis, The Plain Dealer
Wednesday, May 14th, 2014 12:00 PM
DANCECleveland Announces 2014-15 Season Featuring Five Renowned Dance Companies Programs will celebrate creative spirit of widespread cultures
DANCECleveland Announces 2014-15 Season
Featuring Five Renowned Dance Companies
Programs will celebrate creative spirit of widespread cultures
CLEVELAND (May 12, 2014) – From America's majestic West to a kibbutz in Israel to the Carnival spectacle of Brazil, DANCECleveland's 59th season will continue a tradition of bringing companies noted for unique artistic voices and distinctive styles to stages in northeast Ohio. The 2014-15 season will feature five dance companies from around more › the globe, each known for innovative choreography and extraordinary dancers.
Opening the season in October is Aspen Santa Fe Ballet, hailed for its bold vision, accomplished choreographers and virtuoso dancers. In November, the world renowned Kibbutz Contemporary Dance Company will demonstrate Israeli dance at its best. In January, the wildly popular Pilobolus will delight audiences with its witty and gravity-defying works. A newcomer to northeast Ohio, Compagnie Käfig from France features Brazilian dancers who will captivate audiences in March with two heart-stopping works combining samba, hip-hop and capoeira dance styles. In April, Restless Creature will make its debut, featuring former New York City ballerina Wendy Whalen who joins forces with four top modern choreographers for a memorable evening of new dance works.
In addition, DANCECleveland subscribers will have an opportunity to purchase tickets for an additional production featuring popular radio personality Ira Glass and dancers Monica Bill Barnes and Anna Bass in "Three Acts, Two Dancers, One Radio Host" on Saturday, May 2 at 7:30 p.m. at the Palace Theatre. DANCECleveland is participating in this presentation by Playhouse Square.
"Every year we look forward to the challenge of planning a season that gives audiences a taste of the dance world's infinite variety, and this year is no exception," says Pam Young, executive director of DANCECleveland. "From audience favorite Pilobolus and two ballet-based programs, to one of Israel's finest dance companies and a Brazilian dance sensation, our new season is filled with innovation and excitement. While our dedicated dance lovers have favorites that they return to see, it's frequently the newcomers to our stage that surprise and delight everyone."
Aspen Santa Fe Ballet (ASFB) will give a matinee performance at the University of Akron's E.J. Thomas Hall on Sunday, October 5 at 3 p.m., co-presented by the University of Akron's E.J. Thomas Hall and dance program. Known for its riveting dancers and the distinctive voices of established and emerging choreographers, ASFB has advanced to the vanguard in its field and forged a strong national reputation. When the company began in 1996, founders Tom Mossbrucker and Jean-Philippe Malaty tapped the creative choreographic scene in Europe where classical ballet was breaking from its boundaries. The divide between ballet and modern dance was dissolving and ASFB's model was at the forefront of this trend. Today the company continues to innovate and reap accolades nationally and internationally, appearing at the American Dance Festival, Harris Theater for Music and Dance, Jacob's Pillow Dance Festival, Joyce Theater, The Kennedy Center, Saratoga Performing Arts Center, and Wolf Trap. Internationally the company has performed in Brazil, Canada, France, Greece, Guatemala, Israel, Italy and Russia.
The Aspen Santa Fe Ballet performance will be accompanied by a week of educational programming by the company with students from the University of Akron's School of Dance and Dance Institute, as well as local community dance students. This programming builds on the momentum of DANCECleveland's seven-year relationship with the Akron community that helps build dance audiences and spur economic opportunities.
"Stark, sleek, and chock-full of moves that skirt the edges of contemporary movement."
–The Boston Globe
Kibbutz Contemporary Dance Company (KCDC), one of Israel's most prominent dance companies, will perform at the Ohio Theatre on Saturday, November 8 at 8 p.m and Sunday, November 9 at 3 p.m. The troupe is widely identified with the work of Artistic Director Rami Be'er, whose exclusive and unique choreographic character has become the company's trademark both in Israel and abroad. With its technically strong and physically eclectic cast of dancers and its dynamic sensibility, KCDC characterizes Israeli dance at its best, and it performs regularly in the most respected theaters and at leading festivals around the world. The company was established in 1970 in Kibbutz Ga'aton, situated in the Western Galilee of northern Israel, by the late Yehudit Arnon, who laid the foundation for today's thriving International Dance Village which continues to evolve into a first-class center for dance.
"A troupe that belongs to the world elite" – Weimar Festival, Germany
Pilobolus, the witty company that has captured hearts around the world, will perform at the State Theatre on Saturday, January 31 at 8 p.m. Pilobolus' movement is at the cusp of acrobatics and dance, with extraordinary feats of partnering, frequent biological imagery and intense theatricality. Since its beginnings, the company has continually broken new ground with playful topsy-turvy entanglements that require extreme strength, flexibility and athleticism.
Founded by a group of Dartmouth College students in 1971, Pilobolus continually forms diverse collaborations that break down barriers between disciplines and challenge the way we think about dance. The company, which has traveled to more than 64 countries over the last 42 years, has received a number of prestigious honors, including the Berlin Critic's Prize, a Primetime Emmy Award for outstanding achievement in cultural programming, the Samuel H. Scripps American Dance Festival Award for lifetime achievement in choreography, and a TED Fellowship for performing a TED Talk in 2005. In recent years, it has become an international entertainment brand with commercials (Mobil, Ford, and Toyota), music videos (nominated for a 2012 Grammy Award), and appearances on the 79th Annual Academy Awards, Oprah Winfrey, Conan O'Brien, and even the NFL Network, for which it received a Sports Emmy nomination.
"It's as if we're being given a fleeting glimpse of the inner workings of the universe." – The New York Times
Compagnie Käfig will make its Ohio debut on Saturday, March 7 at 8 p.m. at the Ohio Theatre. Since their first performance in the U.S. in 2002, this innovative French hip-hop ensemble, directed by choreographer Mourad Merzouki, has become an international phenomenon, selling out performances and garnering rave reviews worldwide. After an encounter with eleven young dancers from the shantytowns of Brazil, Merzouki began creating works for them that would bring a true artistic dimension to hip-hop and expand the form. The Cleveland program will include "Correria," created in 2010, and "Agwa" from 2008, heart-stopping works that mix complex hip-hop with capoeira, samba, electronic music and bossa nova to showcase the young Brazilians' astonishing acrobatic skills, dazzling virtuosity and passion for dance.
"The eleven dancers commit themselves totally, energetically, joyfully. Absolutely irresistible!" -Le Figaro
Restless Creature, featuring celebrated ballerina Wendy Whalen, will close the season on Saturday, April 25 at 8 p.m. at the Ohio Theatre. For over 25 years, Wendy Whelan has captivated audiences of the New York City Ballet with her elegant yet thrilling movement and her exacting, intelligent approach to performing. Restless Creature is a collaboration with four young choreographers to create a suite of duets that will be performed by Wendy and each of the choreographers in turn. The program will include "Ego et Tu" with Alejandro Cerudo; "Waltz Epoca" with Joshua Beamish; "the Serpent and the Smoke" with Kyle Abraham; and "First Fall" with Brian Brooks. The performance is being co-presented with Playhouse Square.
"It's hard to think of another woman who could dance these pieces, by four different choreographers, half so strikingly. Everything about her is riveting, interesting, unusual, intelligent." -Alastair Macaulay, The New York Times
SUBSCRIPTIONS: Season subscriptions, starting at $128, are now on sale at www.dancecleveland.org. Call 216-991-9000 or visit www.dancecleveland.org to purchase season tickets or request a brochure. Single tickets will go on sale August 18.
For more information on the dance companies, visit:
For more information on DANCECleveland's presenting partners, visit:
www.ejthomashall.com or www.uakron.edu
ELECTRONIC PHOTOS AVAILABLE FROM PAM BARR AT 216-932-5060 or firstname.lastname@example.org