Sunday, January 22nd, 2012 6:00 AM
Creative artists and performers tend to avoid -- not to mention dislike -- describing their styles. They're usually too immersed in the process of devising or interpreting works to take time to ponder what makes them tick.
So it's no surprise that Israeli actor and choreographer Avshalom Pollak is hesitant to characterize the artistry he and his wife, Inbal Pinto, have been nurturing for two decades.
"It is what it is," Pollak more › said by phone recently from Tel Aviv, where the Inbal Pinto and Avshalom Pollak Dance Company is based. "We blend in our creations the things that we collect through our lives."
The collection the troupe will bring to the Ohio Theatre this week for its Cleveland debut is a concoction titled "Oyster," the most popular piece in the Pinto-Pollak repertory. The full-length work has received more than 300 performances worldwide since its premiere in 1999 in Lyon, France.
"Oyster" is a torrent of dance, theater and music, reflecting the varied artistic paths that coincide in Pinto and Pollak's creations. Pinto performed with Batsheva Dance Company, Israel's most acclaimed contemporary ensemble, before striking out on her own as a choreographer. Pollak was an actor before linking up with Pinto -- they're long married -- and veering into new artistic territory.
"I was in drama school and did a project as a director and playwright," said Pollak. "I wanted to do a collaboration with a choreographer, and this is how we met.
"We didn't start working together, but we were seeing each other. It was something really magical. Our world really kind of blended beyond our personal life. Everything became one, artistically and family-wise. I became a choreographer, and she became a director."
The word "magical" also could be applied to works Pinto and Pollak have shaped for their company. Contemporary dance melding with acrobatics, ballet, mime and a smorgasbord of music conjures fantastical images. Some are narrative-driven, others abstract.
The wild and whimsical images and puppetlike characters in "Oyster" stem from many sources, including Fellini. But they're mostly figments of the imaginations of Pinto and Pollak, who never know what they're going to produce when they begin creating a piece.
"It's not something we set up," said Pollak. "In all of our pieces, there's a very defined signature, though we are trying to escape it every time there's something new.
"We want to make the audience feel, think, dream, reflect and be part of something that is disappearing. I think people are more and more disconnected from many things -- emotions and the past. Everything becomes very isolated."
Pollak and Pinto aren't isolated from their country, but they've also never consciously incorporated Israeli elements in their works. Instead, they aim, Pollak said, "to collect more and more things that we make something out of -- create worlds and invent new languages and new ways to communicate through our art."
And their creations are never finished. Although "Oyster" has been in circulation for more than 12 years, Pinto and Pollak continue to hone it. The work's title, chosen after the piece was completed, comes from Tim Burton's macabre book "The Melancholy Death of Oyster Boy and Other Stories," but the dance goes its own metaphoric ways.
"We deal in the piece with performers and human beings who want to achieve some high goal and be perfect or get some kind of catharsis," said Pollak. "Oyster can be the theater we open up -- this magical place that sometimes is perfect, sometimes is not. The connotation is that nothing really fits."
Pinto and Pollak's company evidently functions well. What began as a tiny troupe that presented small pieces has become an organization with 10 dancers and guest actors who perform full-length works conceived, choreographed and designed by the co-directors, who are busy offstage with two young sons. (And the reason Pinto couldn't join Pollak for this phone conversation.)
The dancers are employed 11 months a year. The company, whose annual operating budget hovers around $1 million, receives funding from Israel's culture ministry and the city of Tel Aviv. Much of its earned revenue comes from touring and projects outside Israel.
Along with this month's U.S. tour, the company is scheduled to perform soon in Norway, South America, Europe and Japan.
Dance in Israel, according to Pollak, is flourishing, from ballet and contemporary to folkloric.
"Contemporary dance is very active here in Israel," he said, "I guess because of the variety of people and nations and this fusion. It creates a lot of tension. Maybe that's good for the arts."
Wednesday, January 18th, 2012 4:30 PM
Audiences attending Inbal Pinto & Avshalom Pollak Company's "Oyster" are apt to discover many hidden pearls in the quirky dance and theatrical work that includes mime, ballet, gymnastics, acrobatics and modern dance.
The 20-year-old Israeli-based dance troupe consisting of 12 dancers/actors will make its Ohio première at PlayhouseSquare's Ohio Theatre when it performs "Oyster" Sat.-Sun., Jan. 28-29, presented by DANCECleveland with support from the Jewish Federation's Cleveland Israel Arts Connection.
"Oyster," choreographed more › by Pinto with the help of her life partner and director/choreographer/artistic director Avshalom Pollak, had its world première in Lyon, France, in 1999 and has been performed internationally ever since.
The circus-world, mystical nature of the show includes wandering street acrobats wearing doll-like makeup, spiky blond wigs and tutus; they alternately become puppets or puppeteers. The eclectic score spans from opera and tango to Tuvan (southern Siberian) throat singers and Big Band jazz. Its quirkiness prompted Village Voice to describe "Oyster" as "part vaudeville and part toy store after midnight."
"It was a natural evolution for our dance company to have such an unusual array of imaginative artistic styles and moods incorporated into this performance," said Pollak from his home in Tel Aviv. "The dance community in Israel is very fruitful and receptive to new art forms. The contemporary choreography and costuming in 'Oyster' is reflective of the strange combinations of people and customs that comprise Israel."
The title of the performance comes from the book of poems and sketches The Melancholy Death of Oyster Boy & Other Stories, written by filmmaker Tim Burton ("Edward Scissorhands").
Pollak hopes that people will attend the unusual performance with an open mind. "'Oyster' often triggers varied audience responses," he said. "Its connection to life will vary from person-to-person in a very magical way. It is like dreaming without sleeping."
Dance and art have been a central theme of Pinto and Pollak's life since they met in grammar school in 1993. Pinto began her formal dance training when she was 13, was a member of Israel's Batsheva Dance Company, and studied graphic arts at The Bezalel Academy of Arts and Design in Jerusalem. Pollak, the son of renowned Israeli actor Yossi Pollak, was drawn to dance through his relationship with Pinto.
"After I met Inbal, working in dance seemed inevitable," Pollak said. "We see our company's performances as a rare and unusual gift we are able to share with audiences."
When Pinto and Pollak's company performs around the world, the couple realizes they represent their homeland but don't necessarily consider themselves good-will ambassadors. "We may come from Israel, but we are part of everywhere," said Pollak. "Our work is inspired by memories, longings and imagination."
DANCECleveland's executive director Pam Young met Pinto and Pollak last December when she was invited by the Israeli Consulate in New York to attend the International Exposure Dance Festival in Tel Aviv.
"In four days we saw 40 different dance companies," she said. "It was phenomenal to see the depth and breadth of dance being created in Israel."
One of the groups that caught her eye was Inbal Pinto & Avshalom Pollack Dance Company. "I had seen 'Oyster' several years before and fell in love with it," she said. "To me, the production is Fellini meets Circque du Soleil. The performers are representative of the human curiosities you would find in a circus back lot."
When Young learned that the company was traveling to America in early 2012 to perform "Oyster" in major cities, she was determined to bring the production to Cleveland. She contacted Federation's executive director Stephen Hoffman to seek some financial support toward the $100,000 production costs.
"I was go grateful when the Federation pledged the type of funding that gave us confidence to move forward," said Young. "Federation's funds, coupled with private and public funding, make the production possible."
Bringing Inbal Pinto & Avshalom Pollak Dance Company to Cleveland is part of Cleveland Israel Arts Connection, a new Federation initiative to showcase Israeli artists. In a quote given to JTA, art appraiser Erica Hartman-Horvitz, co-chair of Federation's Cleveland Israel Arts Connection, said, "When most people think of Israel, they're thinking of the conflict, maybe the incredible efforts that Israel goes through to survive. We want to illustrate the Israel arts and culture world as something that is more than that for those who might not be interested in Israel for other reasons."
In the meantime Young is eager for the upcoming production of "Oyster." "Cleveland audiences are going to love it," she said.
WHAT: Inbal Pinto & Avshalom Pollak Dance Company
WHERE: Ohio Theatre at PlayhouseSquare
WHEN: Sat., Jan. 28, at 8 and Sun., Jan. 29, at 3
TICKETS: www.dancecleveland.org (use code "JFED" for discounts) or 216-241-6000
Friday, January 13th, 2012 11:30 PM
Saturday, January 28th, 2012
11:00am - 12:30pm
Cleveland State University
New Arts Campus in the Middough Building (Information below)
DANCECleveland invites pre-professional and professional dancers to an open master class led by Avshalom Pollak and dancers from the Inbal Pinto and Avshalom Pollak Dance Company from Israel.
ABOUT Avshalom Pollak: Pollak, Director of Oyster, was born in Israel in 1970. He was trained as a classical actor and graduated from The Nissan Nativ more › Drama School in Tel-Aviv. He developed an understanding early on of the commitment and drive needed to create a high-quality theatrical experience for an audience, after observing his father, a well-known Israel actor, from backstage. He has acted in a large number of films and television programs as well as many theatrical plays at The Habimah National Theatre, The Cameri Theatre, Gesher Theatre and The Haifa Municipal Theatre. Roles have included Romeo in Romeo and Juliet, Casssio in Othello, Valere in The Miser, Tuzenbach in Three Sisters, Phillip in Orphans and many others.
Space is limited!
Class runs from 11:00am - 12:30pm
Please arrive no later than 10:45am
RSVP to Lynn Deering at firstname.lastname@example.org
This class will be held in the new Cleveland State University arts facility "The Middough Building," in large Dance Studio, Room 523. The entrance to the Middough Building is located on E. 13th Street, between Euclid and Chester Avenue (by Dodge Court). The official address is 1901 E. 13th St., Cleveland, Ohio 44114-3599. Please reserve a space for this master class by emailing: email@example.com.
About the Company: Inbal Pinto & Avshalom Pollak Dance Company was founded in 1992 and has toured the globe to critical acclaim. The company consists of 12 dancer/actors working among various artistic disciplines to create new work informed by memories, longings, ideas and imagination. In Cleveland, the company will perform Oyster, a magical and mysterious work that combines the dreamlike qualities of Fellini and the keen intellect of Pina Bausch. Enter a fantastic circus-world of wandering street acrobats and oddly beautiful creatures. Performers and dancers in doll-like make-up, spiky blonde wigs, and tutus alternately become puppets or puppeteers. The unique movement combines ballet, contemporary, mime and acrobatics in an unforgettable, magical evening.
For more information or to purchase tickets, please call 216.991.9000 or visit www.dancecleveland.org.
Thursday, January 12th, 2012 3:30 PM
Israel is often portrayed in conventional and social media as a nation of conflict - conflict with neighboring countries, conflict between tradition and modernity. These messages and images do a vast disservice to the thriving 21st-century nation that is Israel.
One of the most flourishing aspects of contemporary Israel is its role as a source of world-class art.
Art provides a common language, spoken by every culture. Through art we can update more › the outdated images and expand the lexicon used to describe Israel. The Jewish Federation's Cleveland Israel Arts Connection was created to expand cultural horizons and bring people together in new ways that can lead to greater understanding on many levels.
The Cleveland Israel Arts Connection encourages arts organizations to offer cultural opportunities by Israeli artists. The goal is to identify, enhance, create and promote unique ways to experience Israel's finest - right here at home.
Instead of succumbing to sound bites, tweets and status updates, we can paint Israel with the brush strokes of artist Michael Kovner; view the land through the lenses of contemporary photographers and videographers; listen to ancient melodies updated by Ladino singer Yasmin Levy; experience new sounds from the rock band Hadag Nachash; challenge our minds with the words of author Amos Oz; and dazzle our senses with the movement of Inbal Pinto and Avshalom Pollack and the drama of Ami Dayan.
Through art, headlines can be more than those of war, terror and infighting.
Partnering with Cleveland's leading arts presenters and venues enables us to open the doors to a wider audience from Greater Cleveland. Presenting art where art belongs - theaters, galleries, museums, and concert halls - legitimizes the offerings. Israeli art and culture is truly world-class and belongs in world-class venues.
The Cleveland Israel Arts Connection augments the cultural opportunities presented by others in the Jewish community and expands arts outreach to include all area residents. By encouraging secular institutions to showcase Israeli arts, we are able to reach new audiences that may be unfamiliar with the unique contributions of Israeli artists. We can build on their familiarity with specific arts organizations to introduce audiences to new and exciting experiences.
The Cleveland Play House, the Chagrin Documentary Film Festival, Nighttown restaurant, SPACES Gallery and DanceCleveland do not simply bring in artists because they are Israeli, but rather because they are renowned artists who happen to be connected to Israel.
The Cleveland Israel Arts Connection presents art with fresh and uncensored perspectives. As seen recently in "Hugging and Wrestling," MOCA Cleveland's exhibition of contemporary Israeli video and photography, many contemporary Israeli artists embrace the history and spirituality of the land, while others grapple with present-day challenges.
We strive to present these varied viewpoints while creating opportunities for discussion and learning, allowing the audience to fully appreciate the experience. The artists are accessible and ready partners in such activities.
Prior to her performance at The Cleveland Museum of Art, the Cleveland Israel Arts Connection sponsored a workshop by Yasmin Levy to explore the history and music of Ladino culture. Visual artist Efrat Klipstien participated in the community-wide Yom Ha'atzmaut celebration during her residency at SPACES Gallery. And bracketing upcoming performances on Jan. 28-29, Avshalom Pollak will speak to audience members about the work of the Inbal Pinto & Avshalom Pollak Dance Company.
The Federation is also committed to nurturing the next generation of Israeli artists. Through work with the Israeli consulate, international organizations and foundations to identify up-and-coming artists, we have facilitated residencies for young visual artists, theater directors and choreographers and introduced local students to the creative process through master classes.
Our Cleveland Jewish Arts Connection (CJAC) is a sub-group of the Cleveland Israel Arts Connection that creates special opportunities for younger members of our community to experience the arts.
In addition to building strong relations between the Jewish and non-Jewish communities, the Cleveland Israel Arts Connection also provides pure enjoyment of the arts. In the past few years, we have seen capacity audiences at many concerts and lectures. We strive to make these opportunities accessible, and many are offered free or with substantial discounts.
We encourage you to join us on this exploration of Israel through the eyes of its poets, dancers, artists and dreamers. Together, we can present the vibrant, 21st-century Israel that we know and love.
Roe Green and Erica Hartman-Horvitz co-chair the Jewish Federation's Cleveland Israel Arts Connection.
Roe Green and Erica Hartman-Horvitz
RELATED COMPANY: Inbal Pinto and Avshalom Pollak Dance Company (Israel)
Sunday, January 1st, 2012 6:00 AM
Dance makes its presence known in Cleveland only in spurts, but there was much to savor in 2011. Our local companies had a productive year -- several celebrated milestones -- and audiences were treated to everything from classical ballet to dance of the most contemporary kind.
Aszure Barton & Artists: The New York dance company, presented by DanceCleveland, made a disarming Cleveland debut in October with a program that revealed its more › artistic director's uncanny ability to devise works in which the dancers' personalities are key elements in the narrative scheme of things. In two pieces, "Les Chambres de Jacques" and "Busk," the company engaged in whimsical and dark scenarios sparked by striking images, daring physical feats and intriguing thematic ideas.
Dancing Wheels: The Cleveland company for dancers with and without disabilities celebrated its 30th anniversary with an action-packed extravaganza in June at the Agora that included an appearance by Gloria Gaynor performing her signature song, "I Will Survive" -- twice. But the evening's highlight was the world premiere of Dianne McIntyre's "Dancing on a Dream," an affectionate and exhilarating work saluting the life and career of the company's indomitable artistic director, Mary Verdi-Fletcher.
Eifman Ballet: Classical ballet doesn't make many appearances in downtown Cleveland these days. So it was startling to encounter the charismatic artistry of the Eifman Ballet of St. Petersburg, Russia, in May in artistic director Boris Eifman's grandiose full-length work, "Don Quixote, or Fantasies of a Madman." The production, set in an insane asylum, put a bizarre spin on Cervantes' beloved tale, but the dancing was so disciplined and animated that the company easily won over a ballet-deprived public.
GroundWorks DanceTheater: David Shimotakahara's modern-dance company can be counted on to come up with new and intriguing ideas in motion. Two works stood out in 2011: Shimotakahara's sensitive adaptation of Thornton Wilder's "Our Town" and Lynne Taylor-Corbett's "Hindsight," a tribute to Akron rocker Chrissie Hynde and her band, the Pretenders. The former condensed the beloved tale into a sweet and sweeping narrative. The latter used Hynde songs to evoke scenes of cheeky fun and poetic intensity.
Inlet Dance Theatre: The Cleveland dance company led by Bill Wade celebrated its 10th birthday in November with a program of revivals and a fine world premiere, "Let Go." To music by Ryan Lott, Wade's frequent collaborator, the piece explores issues of alienation and acceptance through a series of intimate and ensemble episodes. The work runs only 10 minutes, but its impact is powerful. The program included Wade's "Stone by Stone," a touching study of the need to connect and make a difference.
Joffrey Ballet: The noted Chicago dance company made its third summer appearance with the Cleveland Orchestra at Blossom Music Center in works by Julia Adam, Lar Lubovitch, Christopher Wheeldon and George Balanchine, whose "Stravinsky Violin Concerto" was particularly admired by freelance writer Mark Satola: "Balanchine's understanding of Stravinsky's playful and emotionally complex score resulted in a finale that was delightfully contrapuntal and, in the two pas de deux, profoundly moving."
Rioult: The New York dance company made a winning Cleveland debut in April in works set to music by Ravel and Bach. Artistic director Pascal Rioult's version of "Wien" (danced to Ravel's "La Valse") is a dark, expressionistic glimpse into a society on the verge of collapse, while his take on Ravel's "Bolero" treats the dancers as robots pining for liberation. States of nature are suggested in "Views of the Fleet World," a series of inventive pieces set to music from Bach's "The Art of the Fugue" that showed the Rioult dancers at their gleaming best.
Verb Ballets: The Cleveland modern-dance company had an exciting year in 2011, including the move to its first permanent home (Christ Episcopal Church in Shaker Heights). On the premiere front, Verb presented Antonio Brown's buoyant "Continuum" and Ginger Thatcher's feisty update of "Billy the Kid." The latter shared an American program with excellent revivals of Martha Graham's "Appalachian Spring" (set to music by Aaron Copland, also composer of "Billy the Kid") and Hernando Cortez's "Chichester Psalms" (with music by Leonard Bernstein).
RELATED COMPANY: Aszure Barton and Artists